Rewilding
Jessica Alazraki, Wendy Fulenwider Liszt, Sarah Alice Moran and Adrienne Elise Tarver
Untitled Art, Miami Beach
December 2-6, 2026

McBride / Dillman is pleased to announce its debut participation in Untitled Art, Miami Beach, presenting works by Jessica Alazraki, Adrienne Elise Tarver, Wendy Fulenwider Liszt, and Sarah Alice Moran. Exploring the rewilding of women through domestic interiors, bodily abstraction, ancestral histories, and imagined landscapes, the presentation considers what happens when established boundaries dissolve and women begin to reshape the physical and psychological spaces they inhabit.

What does it mean for women to reclaim their natural state when the very idea of what is “natural” for women has long been a social construct? Historically, women’s relationships to their bodies, environments, and identities have been shaped by prescribed roles and expectations, often presented as inevitable or inherent. Rewilding offers an opportunity to challenge these assumptions—not as a return to some imagined original condition, but as a process of reclaiming agency, embracing transformation, and imagining new ways of being.

Jessica Alazraki contributes richly detailed paintings offering glimpses into urban domestic life through windows, exploring the relationship between public and private space. Alongside these works, a series of intimate still lifes depicting food incorporates three-dimensional sculptural elements juxtaposed against brightly patterned Mexican textile tablecloths. Drawing on her cultural heritage, Alazraki celebrates the rituals of nourishment, gathering, and everyday life. Her compositions suggest that domestic environments are living ecosystems, continually shaped by memory, tradition, and human connection.

Adrienne Elise Tarver presents a sculptural vine installation imagined as growing organically from the ground, carrying talismans and fragments of the past into the present. The work evokes nature’s persistence and the enduring presence of ancestral memory. Accompanying the sculpture is Point of Passage, a painting depicting a woman entering an unfamiliar environment for the first time, with an otherworldly orange light streaming from the space beyond. Together, the works explore transformation as both a physical and psychological passage, suggesting that moving into new territory does not require leaving the past behind.

Wendy Fulenwider Liszt contributes layered abstractions rooted in the body and the cyclical processes of destruction and rejuvenation. Through an intuitive practice of applying, removing, sanding, and rebuilding material, Liszt creates surfaces that bear the physical evidence of their own transformation. Her paintings evoke vulnerability and resilience, approaching destruction not as an endpoint but as a necessary condition for renewal. These processes mirror the natural cycles of erosion, decomposition, and regrowth, suggesting the body’s capacity for adaptation, repair, and regeneration.

Sarah Alice Moran presents dreamlike paintings in which plants, animals, and human figures coexist within fantastical, almost heavenly landscapes. Drawing on mythology, metamorphosis, and the interconnectedness of living beings, Moran imagines worlds where boundaries between species dissolve and conventional hierarchies give way to a more fluid existence. Her intuitive painting process allows forms to emerge organically, creating environments that feel both ancient and otherworldly. These imagined paradises offer a vision of coexistence rooted in love, wonder, and the transformative possibilities of the natural world.

Across these distinct practices, rewilding emerges as an act of resistance to containment, erasure, and prescribed ways of being. Whether through the reclamation of domestic space, the persistence of ancestral memory, the regeneration of the body, or the imagining of alternative worlds, these four artists challenge the boundaries that have historically defined women’s experiences. Together, they suggest that rewilding is less about recovering what has been lost than about creating the conditions for something new to flourish.